Light Matters

Bulb Dress 18: carnival costume v.02

Posted in A Design A Week by studiomakelight on March 1, 2010

A popular carnival character among children here, Pirate.

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Planet Ant

Posted in Work Of Light by studiomakelight on February 24, 2010

Photo taken by Tim Bird in Thailand.

Bulb Dress 17: carnival costume v.01

Posted in A Design A Week by studiomakelight on February 22, 2010

Welcome Spring with Carnival to fight off the Evil-Winter spirit.

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蔡國強 Cai Guo-Qiang: the Light in the night, the Darkness in the day

Posted in Work Of Light by studiomakelight on February 17, 2010

In the spirit of Chinese New Year celebration, this week’s Work of Light presents the Fire_work of Chinese artist, Cai Guo-Qiang 蔡國強.

Cai Guo-Qiang was born in 1957 in Quanzhou City, Fujian, China. He was trained in stage design at the Shanghai Theater Academy from 1981 to 1985. Cai’s work is scholarly and often politically charged. Cai initially began working with gunpowder to foster spontaneity and confront the suppressive, controlled artistic tradition and social climate in China. While living in Japan from 1986 to 1995, Cai explored the properties of gunpowder in his drawings, an inquiry that eventually led to his experimentation with explosives on a massive scale and the development of his signature “explosion events,” artistically choreographed shows incorporating fireworks and other pyrotechnics.

This is Cai Guo-Qiang’s recent dance collaboration with Taiwanese dance group, Cloud Gate dance company. The piece is called Wind Shadow.

Bulb Dress 16: Valentine

Posted in A Design A Week by studiomakelight on February 15, 2010

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Tim Noble and Sue Webster: Shadow sculpture

Posted in Work Of Light by studiomakelight on February 10, 2010

Shadow sculptures by Tim Noble and Sue Webster plays with light’s function of revealing. However, they serve it with a twist. Spot light seems to shine on a seemly randomly piled heap of trash, as if saying “look at these trash!” The hidden art is actually revealed in the play of light and shadow.

Is what we see really what we think?

Tim Noble and Sue Webster began collaborating during their studies at Nottingham Polytechnic and studied together at the Royal College of Art. Appropriating the guerrilla tactics adopted by media-hungry celebrities’ attempting to gain fame, Noble and Webster’s unorthodox creations comment on a consumerist society gripped by narcissism.  The artist duo is renowned for their series of drawings and their neon and light sculptures which embody the simultaneously glamorous and seedy aspects of contemporary culture. Noble and Webster’s work is held in the Solomon R. Guggenheim Museum, New York, the Museum of Modern Art, New York and the Saatchi Collection, London.

 

Bulb Dress 15: Bulb Nest 02

Posted in A Design A Week by studiomakelight on February 8, 2010

Imagining what birds can do only with their beak.

A 2nd try at understanding how they(bird) do it and develop a few new techniques on how to work with branches and twigs without any bonding material.

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Light Painting by Picasso

Posted in Work Of Light by studiomakelight on February 5, 2010

Master at work with torch in 1949.

These painting was taken by Gjon Mili, a photographer for LIFE magazine.

Light Spray

Posted in NEW Technology and Design, Nice things by studiomakelight on February 4, 2010

French designer, Aissa Logerot, developed ‘halo’ an LED light spray. Instead of spraying paint, it has an LED that sprays light. The LED’s brightness can be altered, and the colors are interchangeable.  Users simply have to shake it to recharge its power.

Light Painting

Posted in Work Of Light by studiomakelight on February 3, 2010

Light paintings, also known as light drawing or light graffiti, is a photography technique in which exposures are usually made at night or in a darkened room. The images here are from Jan Wöllert and Jörg Miedza, the guys behind LAPP-PRO. The light art performance photography (LAPP) is a one-shot, long exposure photography, performed additionally with movement of light. LAPP originates on a real-time basis directly in front of the camera, created between opening and closing the shutter.